Trivia - S4E3
Perish Together as Fools
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Portwenn Online
A Magical Cornish Village
Doc Martin is IN
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Original Broadcast:  Oct 04, 2009

FOOD - The morning after Al stood her up, Pauline walks form the kitchen to her desk carrying an apple.

HAEMOPHOBIA - Martin starts to gag as he draws Joe's blood and then has a serious reaction as he empties it into the test tube.

HAEMOPHOBIA - Martin looks ill when he is sitting at Pauline's desk one evening watching an operation on the computer.

INTERRUPTIONS - Martin and Louisa are in a heated argument about him discussing the baby's development with Edith and Louisa asking for
medical advice when it suits her, when Mr Routledge interrupts them by coming back downstairs - and then falls and breaks his hip.

LOOK BACK - Martin is on his porch enjoying his espresso when he spots Louisa walking up the hill.  She sees that he has spotted her and
tries to make it look like she was walking that way by mistake.  He watches her walk down the hill with a perturbed look on his face.

LOOK BACK - After Martin checks that all is okay with the baby, they each start to say something to each other while standing in the waiting
room, but nothing comes out.  He stands there and watches her leave and she does a half turn to look back at him but then follows Aunt Joan
out the door.

MARTIN & JAMES - Martin has his first interaction with James when he hears his heartbeat.  We see a rare hint of a smile.

MARTIN & JAMES - Within a couple of days of hearing his heartbeat, Martin sees his son for the first time when Louisa asks him to look at his
scan and assure her that it all looks normal.  Martin keeps the scan, giving Louisa the excuse that he wants to take some measurements and
consult with Edith, but the next day we see him sitting at his desk and opening a drawer to gaze at the picture of his son.

NICE MARTIN - When Joe tries to give Martin the painting that Sam forged, he also apologises for what his brother almost did to their "special"
relationship.  He asks Martin if they are okay now and Martin just give him a "pffft", which is one of the nicest reactions he has had to Joe's
repeated declarations of friendship.

PATIENT NAMES - When Sam collapses in the middle of the night and Joe calls Martin to his house, he tries to revive Sam, but can't
remember his name.  He says, "Hello, can you hear me?  Painter?"

RADIOS - Once again, we see the radio on the cabinet behind Pauline's desk.

RUDE MARTIN - When Martin hears a noise downstairs early in the morning, he finds Sam in the waiting room getting ready to paint.  The
phone rings, Martin answers it, and says, "Yes.  Mr Routledge.  You're dying?  Really?  You'd better be!"

RUDE MARTIN - When Pauline is finding that she can't bring herself to paint out Sam's portrait of her, Martin walks into the waiting room,
which is full with patients.  He grabs a bin bag and goes from patient to patient, tearing the magazines out of their hands and stuffing them into
the bin bag.
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MARTIN & LOUISA
Martin walks out onto his porch to enjoy his morning cup of espresso when he spots Louisa walking up the hill.  The camera moves to her
viewpoint and she sees Martin standing there watching her walk toward him.  She stops and seems to change her mind about continuing.  
She looks around like she has just realized she meant to head in the other direction, turns around and starts walking back down the hill,  
Martin watches her walking down the hill with a slightly perturbed look on his face and he turns and strides back into the surgery.
Aunt Joan sees Louisa coming down the hill and Louisa tells her she is concerned that the baby hasn't moved since the previous day.  Aunt
Joan drives her right back up the hill to see Martin and he takes her into the consulting room.  When Aunt Joan leaves the room, he seems a
little uncomfortable that they are alone and he is about to examine her.  When he asks her to unbutton the bottom buttons of her blouse and
she tells him it's awkward, he is annoyed and asks why she came to see him if she's embarrassed.  She responds that the buttons are a
problem because they are tiny and her fingers are getting fat.  Martin backs down and comes over and says, "Let me help."  The two of them
fumble together with the buttons and he finally gives up and just folds the blouse up and folds the top of her skirt down to expose her
expanding belly.  He sits down and applies the fetal monitor to her bare skin and as they both hear the baby's heartbeat, his face softens
and we see a very rare, and very, very slight Martin Ellingham smile.  He glances at Louisa and she is relieved when he tells her that the fast
heartbeat they are hearing is completely normal.  They come out to the waiting room and let Aunt Joan know everything is fine.  Louisa starts
to say something to Martin, but doesn't get it out and he starts to say something to her, but she has already turned to follow Aunt Joan out
the door.  He watches her leave and she does a half turn back to him before following Aunt Joan out the door.
Louisa isn't in this scene, but it certainly involves her.  After Martin and Edith's dinner at the restaurant, she pulls up outside his door to drop
him home.  She leans over and kisses him on the cheek and he seems a little surprised.  Edith asks, "I think that was appropriate, don't
you?" and Martin responds with a slightly drawn out (but not entirely convincing), "Yessss".
Martin has been called to Mr Routledge's house and as he is about to leave, Louisa walks in to make Mr Routledge a cooked breakfast.  
Martin is surprised to see her there and during their conversation realizes that Louisa is angling to rent out his cottage if Martin can
recommend him into a nursing home.  Martin has been resisting Mr Routledge's demands that he should go into nursing care, so he
expresses disdain at Louisa's involvement in the affair, tells her goodbye and turns toward the door.  But Louisa stops him and pulls from her
purse the scan from her hospital visit.  She asks Martin to take a look at it and says that Dr Montgomery told her that the baby was smaller
than it should be at this stage of the pregnancy.  Martin gazes at the scan, his first look at his growing baby.  He looks back at Louisa and
tells her that it's not unusual for the baby to be smaller than usual during development and reassures her that it all seems fine.  When she
goes to take back the picture, he won't let go of it and asks to keep it to take some measurements and consult with Edith.  Louisa gets her
back up and says, "You're gonna talk to Edith about OUR baby?"  Martin responds, "Is that a problem?"  Louisa retorts, "With you discussing
MY baby with YOUR ex-fiancee?  Huh!" and now Martin has HIS back up, "I see.  It's your baby when it suits you, but it's ours when you need
medical help."  Just then they are interrupted by Mr Routledge who falls down the steps and breaks his hip - opening the path for Louisa's
new digs!  At the end of the episode, Martin sits down at his desk to do some paperwork, stops, and opens his desk drawer.  He gazes down
into it and we see that he is staring at the scan of his son with a look of wonder on his face.
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All Photos are Thumbnails - click to enlarge
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PATIENTS
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Portwenn Visitor
Hand smashed in car door
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Louisa
Baby not moving
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Mr Routledge
Heart Attack?  Stroke?
Broken Hip!
QUOTES
Sam
Joe
Sam
Joe
 Why all the questions?
Sorry.  Guess I'm just used to interrogating criminals all day.
When did you last interview a suspect?
Ah, let me show you around my beat.
Aunt Joan
Martin
Pauline
Martin
Aunt Joan
Louisa
Aunt Joan
Martin
Aunt Joan
Louisa
Martin
 Louisa needs to see you.
Why?  Is there something wrong?
Sorry I'm late.  Slow moving boyfriend.
Hey!  Get that dog out of my reception.
As soon as you've dealt with Louisa.
I can just go to the hospital.
Don't be so silly.  You're here now, and Martin wants to help.
What's the problem?
The baby Martin.
I haven't felt it move for awhile.
Come in.  Go through.  Get out!  Get, get that out!  It, it can stay out here, but it, it can't come into the surgery.  It's
against the law.
Aunt Joan
Martin
Louisa
Aunt Joan
Martin
Aunt Joan
Martin
Aunt Joan
Louisa
Martin
Louisa
Martin
Louisa
Martin
Louisa
Martin
Aunt Joan
Louisa
Aunt Joan
 When did you last feel it move?
I’ll ask the questions, thank you.  When did you last feel it move?
Well, there's been nothing since yesterday, lunchtime.
I'm sure everything's fine.
What are you so sure about?  There's any number of things that could have gone wrong.
Martin!
Aunt Joan.
You'd like me to leave.  I'll be right outside if you need me.
Thank you.
Could you, um, undo the lowest buttons of your, uh, blouse and um, pull down the top of your...skirt, just a little bit?
It's, uh, awkward.
If you're embarrassed, then why'd you come to see me?
No.  I mean it's tricky to undo this blouse.  The buttons are very small and my fingers are getting fat.
Let me help.  I'll just pull that up.
It sounds fast.  Is that all right?
Fetal heart rate should be between 120 and 160 beats per minute.  It's completely normal.
Is everything all right?
Yes.  Apart from the fact that I'm now officially one of those neurotic pregnant mums.
All right.  Come on Buddy.  We know when we're not wanted.  
Joe
Tourist
Joe
 Uh, can I interrupt Doc?  This gentleman's had a nasty accident.  Trapped his fingers.
I didn't trap them.  This moron slammed…
The, the, the Doc doesn’t need to know any details of the circumstances.  He'll just want to examine the damage.  Won't
you Doc?
Sam
Joe
Pauline
 Sam Penhale.
My big brother.  Can you see the family likeness?
No.
Joe
 He's an artist.  Oil paints, watercolors, pastels.  Not in a girly way, if that's what you're thinking.  
Edith
Martin
Edith
Martin
Edith
Martin
Edith

Martin
Edith
Martin
 You don't mind I ordered something rather bloody?
Not at all.
It won't upset you?
Of course not.
If you ever need help, I know someone.
Thank you.  I can manage on my own.
"On my own, no more.  The beat of my heart echoes in time with another.  And now, sore with longing, it runs like a child
to its mother."  You're the only man who's ever written me a poem.  I've got it somewhere.  I could find it.
Oh no.  Don't bother.
Do you still write poetry?
No.
Martin
Edith
Martin
Edith
 What's that perfume?
I can't remember the name of it.  It was a gift.  From an infertile and rather unattractive couple.
It smells of cheese.
No more IVF for those two!
Bert
Al
Bert
Al
Bert
Al
Bert
Al
Bert
Al
Bert
Al
Bert
Al
Bert
Al
Bert
 Ah, son.
Yeah.
We've gotta have some of that…face time.
Dad, no.  I don't want an accordion player on the terrace.
How would you feel if you lost your girl?  Because, if you're not careful, she's going to leave you, toothbrush and all.
What?
First off, you follow her round like a lamb.
No, I don't.
Yes you do.  And Pauline don't like it.
How d'you know?
Because she told me not to tell you.  And you're samey.
I'm what?
Samey.
I don't even know what that means, Dad.
Neither do I, but it's not good.
Right.
And I hate to have to tell you this, but you're...well, you're kind of weak in the romance department.  You gotta work on
yourself boy.  Shape up or it's splitsville.  She also said she wanted an accordion player on the terrace.  
Martin
Edith
Martin
Edith
Martin
Village Girls
 Right.  I'll say goodnight.
I think that was appropriate, don't you?
Yes.
Your breath seems a little metallic.  It's possible you're jaundiced.  You might want to check.
I'll do that.
Whooo.  New girlfriend?  Use a condom this time.  He's a proper shagger!  
Martin
 Yes.  Mr Routledge.  You're dying?  Really?  You'd better be!
Mr Routledge
Martin
Mr Routledge
Martin
Mr Routledge

Martin

Mr Routledge
Martin
Mr Routledge
 How do you expect me to get to the door if I'm having a heart attack?
I see you managed to get to the fridge all right.  What were you doing when your so-called discomfort started this time?
I was on the toilet.  I didn’t flush, just in case you need a sample.
On a scale of one to ten, with ten being the worst, how would you describe your pain level?
I'm not sure that's a big enough scale.  But I'll tell you one thing.  I'd be a lot more comfortable if you'd get me a place in
a nursing home.
Shh!  Nothing.  You don't need a place in a nursing home.  You've already got Meals on Wheels and a home help,
neither of which you actually deserve.
It's not safe here!  That walk from the taxi to the door is treacherous.
It's the only exercise you get.
Can you get me another beer before you go?  
Sam
Pauline
Sam
 You look like a madonna.
Don't say that.  Have you seen her face recently?
No.  I mean the..actual…  Never mind.  
Louisa
Edith
Louisa
Edith
Louisa
Edith

Louisa

Edith
 Is something wrong?
Stop talking, please.  You made a mistake?
A mistake?
I don't mean getting pregnant.  Did you get the date wrong?
The date of what?  Ah, um, you're not being very clear.
I'm simply trying to work out whether you're suffering some sort of intrauterine growth retardation.  What I need to know,
and this shouldn't be too difficult, I 'd have thought, when did you have sex with Dr Ellingham?
Well, I, I didn't actually make a note in my diary.  But, uh, I think the last time...we had... On the few occasions that
we...uh.  It was, ah, mid-October.  11th, and uh, couple a days after that.
There.  Wasn't so bad, was it?  
Louisa
 I need a place of my own, in the village.  Waddling distance.
Al
Pauline
Al
 I've booked a table.  At a restaurant.  A romantic restaurant.
Not your place then.
Ummm.
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe

Martin
Joe
Martin
Joe
Martin
 So, what, exactly, have we got?
YOU have got nothing.
Don't try and sugar the pill.
There is no pill.  You have no symptoms.  You have, therefore, no illness.
Not yet.  But if it killed Grandfather…
I can't tell what killed your grandfather.
He was only 49.  How long have I got?
I can't possibly tell how long you're going to live.  Right now, it is your brother I'm concerned with.
Yes, everyone always cares about Sam.  He'll be all right though.  He's the lucky one.  I'm the one that needs to worry.
Why?
Because, if it's genetic, it'll swerve past Sam, come straight for me.  So please tell me what's on your mind.  I have to
know!
Your brother has some symptoms consistent with Huntington's disease.  But it's highly unlikely.
Will I go mental?  Will I definitely die?
If you did have it, then, um, yes, you would, slowly go mental and eventually die.
Oh, my God!  It killed Grandpa and now it's coming for me.
Oh, all right.  Sit down and roll up your sleeve.  
Joe
 It looks Huntingtony.
Pauline
Martin
Pauline
 Right.  You can answer the phone, then.
What?
If you're gonna take your own blood, you might as well do my WHOLE JOB!  
Joe
Martin
 Goodbye Pauline.  He thinks I'm gonna die soon.
Not soon enough.
Joe
Martin
 I'll miss you Doc.
All right.  Let go.  Go.  That's it.
Louisa
Aunt Joan
Louisa
Aunt Joan
 Seems a bit weird just to knock on his door.  I haven't seen him for years.
Oh, he'll be glad of the company.
Yes.  Thanks for the lift Joan.
Oh.  If he offers you tea, make sure you wash the mug..
Aunt Joan
Martin
Aunt Joan
Martin
Aunt Joan
Martin
Aunt Joan
 You'll be delighted to hear the scan went well.
What scan?
Louisa's checkup at the hospital.  Oh, for God's sake Martin.  Take some interest in your baby.
Louisa has made it abundantly clear that she wants me to have nothing to do with it.
And you'll do as you're told?
Yes.
Well, that'll be a first.
Mr Routledge
Louisa
Mr Routledge
Louisa
Mr Routledge
Louisa
Mr Routledge
Louisa
Mr Routledge

Louisa
Mr Routledge

Louisa
Mr Routledge
Louisa
Mr Routledge
Louisa
Mr Routledge
Louisa
Mr Routledge
Louisa
Mr Routledge
 It's good of you to visit me, Lisa.
Louisa.
And thank you for the jelly babies.
I'm sorry there weren't that many left.
I don't see many people these days.  Those that do come, complain about the smell.
I can't imagine why.
It’s a kipper.
What is?
The, the smell.  I was making me breakfast and, uh, one of me kippers slipped down the back of the cooker.  I couldn't
reach it, and the home help's no help.  Haven't had a cooked breakfast in a good while now.
It's such a lovely house.  And so close to the school.
It doesn't suit me.  All these stairs.  On my bad days, I wee in the kitchen sink, just to save myself the climb.  Would you
like a biscuit?
Oh, no.  I'm fine, thanks.
Over there by the sink.
I hear you're thinking of going into a home.
That tosser, Doc Martin, doesn't think I'm ill enough.  I had a heart attack this morning.  He didn't even care.
If you did go into a home, what, what would you do with this place?
Rent it out, I guess.
To tourists, or someone local?  Someone who's lived here all their life, still works in the village...
Not many of them left.
Oh, there's a few on the boats, in the shops, in the school.
Where do you live, Lisa?  
Al
Joe
Al
 The thing about women is they always want to know where you are, but they never want you around.
I suppose we're all gonna die.  It's just, getting used to the idea.
I stood her up, right.  Cause she's got this crazy idea that I'm clingy.  I mean, me.  Clingy!  
Pauline


Martin
Pauline
Martin
 Last night, Al stands me up, so, uh, I stay awake, waiting for him so I could ignore him, but then I fall asleep.  This
morning, I find him asleep on the bathroom floor.I hadn't heard him come in.  Passed out trying to brush his teeth.  So I
stayed awake for no good reason.  Well, that's it.
Where's the painter?
He's in the kitchen.
The kitchen doesn't need painting!
Martin
Joe
Martin
 Your results are negative.
Oh?  So I'm not gonna die?
Not from Huntington's, no.  
Pauline
Martin
Pauline
Martin
Pauline
 Doc, there's another Routledge emergency!
No!  I am not attending that hypochondriac anymore!
He's got chest pains, arm-ache.
I'm with a patient.
Is this one having a stroke?  
Martin
Mr Routledge
Martin
 No, you're not having a stroke.
Then why do I feel as if I am?
Because you're a mentally deranged time-waster.  And Sod's law dictates the one time I fail to attend is the one day you
actually die.
Martin
Louisa
Martin
Mr Routledge
Louisa
Mr Routledge
Martin
Mr Routledge
Louisa
Martin
Mr Routledge
Martin
Mr Routledge
Louisa
Mr Routledge
Martin
Louisa
Martin
Louisa
Martin
Louisa
Martin
Louisa
Martin
Louisa

Martin
Louisa

Martin


Louisa
Martin
Louisa
Martin
Louisa
Martin
Mr Routledge
Martin
Mr Routledge
Louisa
Mr Routledge
Martin
Mr Routledge
Martin
 Louisa?
Has something happened to Mr Routledge?
Sadly not.
Is that my breakfast?
Two lovely kippers.
The grill's over there.
When did you start delivering Meals on Wheels?
Lisa thinks I should go into a home.
He's very frail.
No, he's not.
Yes, I am.
No, you're not.
I'm going for a wee.
It probably would be for the best, though, wouldn't it?
I'd get proper care.  And Lisa could move in here.
Oh, right.  I see.
See what?
You want me to refer Mr Routledge to a home so that you can move into his house.
No, no, not at all.
So you wouldn't want to live here?
Well, I would, yes.
Mmm.
Don't "mmm" at me, Martin.
Goodbye.
Martin.  I was going to come and see you.  Can you look at this?  Oh God.  There is something wrong.  Dr Montgomery
says it's SGA.  She's booked me in for some scans, dopplers.
They checked the placenta's working...?
I got the technicalities explained  at length.  What I didn't get was any kind of reassurance the baby's doing okay, and
that's all I want right now.
Don't worry about one image, Louisa.  Easily misinterpreted.  Some fetuses are small at this stage and have a growth
spurt later on.  Some fetuses are small throughout the pregnancy.  It doesn't mean there's anything wrong with you - or
the baby.
Right.  Um, can I have it back?
Um, do you mind if I hang onto it?  I just want to check the measurements and consult with Edith.
You're, You're gonna talk to Edith about OUR baby?
Is that a problem?
With you discussing MY baby with YOUR ex-fiancee?  Huh!
I see.  It's your baby when it suits you, but it's ours when you need medical help.
So, do I start packing, or not?
No.  Mr Routledge, you are not entitled to a place in a home.
Caring profession.  My big....Aah!
Oh, my God!
Ah, ah...
Don't, don't move!
Does it look like I can?  Ahhhh!
He's broken his hip.  
Pauline

Al
Pauline
Al
Pauline
Al
Pauline
Al
Pauline
Al
Pauline
Al


Pauline
Al
Pauline
Al
Pauline
Al
Pauline
Al
Pauline
Al
Pauline
Bert
 Okay.  I was really angry about last night, but I think we should discuss it properly.  Like grown-ups.  Are you ignoring me
now?
Don’t know about these hybrids.  Cars are supposed to make a noise, aren't they?  Electric ones are just spooky.
Can't take this anymore.
Can't take what?
All this acting so weird.
I haven't been acting weird.  All right, all right, all right.  I have been acting weird, but...
You want to get rid of me.
No, you idiot.
You're the idiot.
I, I want you to stay, Pauline.
Oh, I give up.
No, I give up!  Cause I buy you flowers, you yell at me.  I stand you up so you don't think I'm no clingy, you ignore me.  
Have you any idea how much I had to drink to stay out that late with my so-called mates, just to prove to you that, yes, I
do have a life of my own?
I didn't want you to do all that.
Yes, you did.  Dad told me.
Oh, so he told you to act like a pillock?
He told me you don't like how I am, and he said I mumble.
What?
He said...He said, I mumble.
No, you don't.  You don't have to change completely.
So, so there are, um, bits of me that you like?
Yeah, yeah, yeah.
Gonna tell me what they are so maybe I can, um, work on them?
Why don't you work it out for yourself?
He's got a lovely head of hair.
Joe
Sam
Joe
Sam
Joe

Sam
Joe
 What the hell's going on?  Oh, my God!  You've turned my kitchen into a crack den!
No, I haven't.
Is that cocaine?
No, it's paint.  I'm making paint.
You buy paint.  You don't make it. You had me thinking you were ill.  You're just a junkie.  I want you and your narcotics
out of my house!
I'm not a junkie, you moron.
I am not a moron, you junkie
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Sam
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Sam
Joe
 Hello, can you hear me?  Painter?
I think maybe he ate something bad.
Why do you say that?
He just has that kind of  "I ate something bad" look.  Don’t you think?
His pulse is elevated.  Has he taken any drugs to your knowledge?
How do you...I mean, do you have to know about that to help him?
Well, of course I do.  He's presenting like he's had an overdose and I can't treat him if I don't know what he's taken.
He's been taking crack cocaine.  See?  He said he was making paint.
Paint?
It's not his fault though.  Uh, it's all the stress.
What stress?
He's been, uh, staying up, uh, late at night, working hard on this.  Not bad for a crackhead.
Hmmm.  "Samuel Birch.  1888".  (Slap) Wake up!
Why'd you sign it "Samuel Birch"?
Because he's a forger.
Oh, shit.
Yeah.  Blue discoloration along the gum line.  I think he's got lead poisoning.  Have you been making lead paint?
You can buy paint.
Not the sort they used in the 1800s.
So, he's not a druggie?
No.  He's a crook.
No. Not Sam.
You don't get chronic lead poisoning overnight.  I doubt if this is the first time he's done it.  He'll need to go to hospital.
It's not what it looks like.
Did you even have a trial for Plymouth Arglye? Did you?
Pauline
Joe
 Oh, I can't, can’t.  It’s just too beautiful.  Even you have to admit that.
I don’t have to admit anything.  I have the right to remain silent.  
Joe
Martin
Joe
Martin
Joe
Martin
Joe
Martin
Joe


Martin
Joe
 Doc, could I have a word?
No.
You took my blood, did some tests.
You're not ill.  You're fit and healthy.  Physically.
I thought you might want this.
No, I don't.
You said you liked it.
No, I didn't.
Well, you agreed it wasn't bad, for a crackhead.  I've, I've put some Tipp-Ex over the signature, so, technically, it's not
illegal anymore.  I, I'm trying to say sorry.  For what my brother nearly did to our special relationship.  But, we're okay
now, yeah?
Uh...pffft.
Great.  
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The Police Station in Series 4 was at
the top of Church Hill.
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Police Station
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Bert's House - Interior only
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I haven't found the location of the interior of
Bert's house starting in S4.  It should be above
the restaurant, since we see Pauline coming
down the stairs into the kitchen in one episode,
but the filming could not take place in that
location (Halwyn House).  When Pauline and Al
are talking in the bedroom, you can see windows
on another building right across from their
window.  That's not possible in this location.

Also, note that the bedroom windows are three
over three and all of the windows in Halwyn
House are two over two.
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Restaurant - Martin & Edith Dinner
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This was filmed at the Headlands Hotel
just east of Port Gaverne.  They used
both the exterior and interior for this
scene.  
The Wilson Hotel (S3).

Sadly, we hear that the hotel is slated
to be torn down to make room for a
new hotel.
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Bakery
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Aunt Joan walks out of the bakery carrying a
baguette when she spots Louisa walking down
the hill.  She gets her into the truck and drives
her up to the surgery so Martin can check on
the health of the baby.

This doorway is actually the door to the public
toilets in Port Isaac.  It was also used as a
bakery in S3 and was back to being a public
toilet in S5 when Martin performed an
examination on Joe.
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Bert's Restaurant
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Bert's Restaurant is housed in a building
called Halwyn House on Roscarrock Hill.   
It was originally a ship building yard in
the early 19th century and converted
into a private home in the 1920s.  

The production team only has access to
the patio during filming and not to the
interior of the house.  The restaurant
kitchen is a set built in the barn at
Rosacarrock Farm.
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Links to location websites in green
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WARDROBE
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RECEPTIONIST
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Crab and Lobster Pub
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The fictional Crab & Lobster Pub is usually filmed in The Golden Lion Pub on Fore Street in Port Isaac (see below for location).  Some years
they needed to film the interiors in other pubs in the area. For Series 4, they had scenes in the pub in just two episodes and used the
St Mabyn Inn in St Mabyn for the interiors.
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Any time we see anyone entering the pub, it is through the door on the Platt, just to the left of the door to The Mote (circled in picture on the
left).  The pub that is usually used for interiors (although not in Series 4) is The Golden Lion which is in the building behind and can be seen
in the picture on the right (large circle).  The arrow points to the balcony of The Golden Lion, which is often used for filming.  The actual
entrance to The Golden Lion is on the other side of the building on Fore Street.
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Mr Routledge's House - then Louisa's House
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This cottage is on Fore St, just a couple
of doors up from Rose Cottage, where
Louisa lived in S3.  At the end of the row
of cottages, you walk down a walkway,
turn left through an open doorway and
then right into a small patio that
overlooks the harbour to reach the
cottage door.  This is a small cottage, but
has lovely dormer windows overlooking
the harbour from both levels.  

The cottage is called "Mel House".
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.aving the
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Truro Hospital
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The hospital always used is Royal Cornwall
Hospital just outside of Truro.  There are
several places that they have filmed on the
hospital grounds.  The scene in this episode
was filmed just outside the Tower Block.
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DOC & DOG
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Chippy Miller
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Joe
Testing for Huntington's
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Sam Penhale
Testing for Huntington's
Lead Poisoning
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The area where they filmed at the Tower Block is in the circle on the right
with the arrow pointing to the entrance.  
The hospital entrance is indicated by the arrow on the left.  The hospital
is the building that looks like a tic-tac-toe board.
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Truro is circled on this map and the
arrow at the top points to Port Isaac.
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In the satellite view at left, the pub is circled
and the arrow on the left is St Mabyn
Church, which was used for the interior of
the non-wedding in Series 3.

In the view below, Port Isaac is circled at the
top and St Mabyn circled at the bottom.
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Literary Reference  - Martin Luther King, Jr, from a speech in 1964, "We must learn to live together as brothers
or perish together as fools.

Thanks to Carol Avery for this additional information from this speech.  See here for the paragraph to understand
the context of the line:  QUOTE
Connecting the Episode Title to the Storylines
Three different themes around this quote could be found in this episode:  people living together or not being able
to live together, people acting like fools, and people trying to fool other people.
Joe's brother Sam is staying with him for awhile and are actually "living together as brothers".  But Sam is fooling
Joe about his activities and they both end up looking foolish.  In fact, Sam's foolish activities could have led to his
death if Martin had not figured out what was happening.
Martin and Louisa are not "living together" in the emotional sense while their baby continues to develop in Louisa's
womb.  It's only when they work together (Louisa going to Martin when she fears the baby isn't moving, Louisa
going to Martin when she is concerned about the baby's development from the scan) that Louisa is reassured that
everything is progressing well and Martin starts to really understand that this baby is real (hearing his heartbeat
and seeing him on the scan).
Mr Routledge keeps trying to fool Martin into thinking that there is something wrong with him so that he can move
into a care home.  He no longer wants to live alone but live together with other people like him and be cared for.
Al and Pauline are finding living together challenging (although NOT as brothers), but Al pulls a series of foolish
moves to get in Pauline's good graces and their relationship almost perishes.